Making waves 2
![Album image #1 Album image #1](/albums/img/4/0/0/699400-10800-34-720.jpg)
This is how I work with a flat base, as in a display box. The model will be mounted to it by screws, for which I drill holes into the base.
![Album image #2 Album image #2](/albums/img/3/9/8/699398-10800-95-720.jpg)
The base is made very early on, before any detail work has been done on the hull, hence no risk of damage.
![Album image #3 Album image #3](/albums/img/3/9/9/699399-10800-64-720.jpg)
The shape of the hull is marked by spraying paint.
![Album image #4 Album image #4](/albums/img/4/0/1/699401-10800-29-720.jpg)
Any wave effects standing proud of the base are sculpted using some spackle or putty - make sure all of your materials are compatible with each other!
![Album image #5 Album image #5](/albums/img/4/0/2/699402-10800-77-720.jpg)
The bow wave has been sculpted, the spackle has cured. Always make sure any material has proper time for curing to avoid averse interactions!
![Album image #6 Album image #6](/albums/img/4/0/5/699405-10800-82-720.jpg)
White wall paint is now stippled onto the base. With some practice, you can produce a number of effects from utterly still to moderately choppy. Do not use too much paint in one layer, or it will produce cracks.
![Album image #7 Album image #7](/albums/img/4/0/6/699406-10800-15-720.jpg)
The paint needs some drying time before the next step.
![Album image #8 Album image #8](/albums/img/4/0/9/699409-10800-28-720.jpg)
I use water-based acrylics from my airbrush exclusively. Check references for the appropriate hue of the sea.
![Album image #9 Album image #9](/albums/img/4/1/1/699411-10800-13-720.jpg)
Only after the previous steps have fully cured, solvent-based clear gloss can be used to achieve the proper sheen and reflections of the base. If you do this too early, water will evaporate and form unsightly bubbles. Don´t ask me why I know.
![Album image #10 Album image #10](/albums/img/4/0/7/699407-10800-54-720.jpg)
This is a very still sea, probably on a cruise in the Mediterranean. The clear gloss remains sticky for much longer than you would believe. Do not mount the model to the base for longer than a test before you are convinced it can stay. Again, don´t ask.
![Album image #11 Album image #11](/albums/img/4/0/8/699408-10800-88-720.jpg)
With the vessel mounted on the base. Permanently. I do remember the case of the somersaulting Flower Class Corvette. In front of my modeling pals. On a tiled floor.
![Album image #12 Album image #12](/albums/img/4/1/2/699412-10800-58-720.jpg)
Here is a livelier base. The sea shade was sprayed away from the hull surround, and the white was touched up afterwards where needed.
![Album image #13 Album image #13](/albums/img/4/1/3/699413-10800-63-720.jpg)
Here with the completed models.
![Album image #14 Album image #14](/albums/img/4/1/4/699414-10800-19-720.jpg)
Another still sea. The boats were placed into depressions ground out of the base with a rotating tool.
![Album image #15 Album image #15](/albums/img/4/1/5/699415-10800-95-720.jpg)
I use acrylic gel to close any remaining gaps after mounting the model to the base.
![Album image #16 Album image #16](/albums/img/4/1/6/699416-10800-35-720.jpg)
Spatulas for artists work great.
![Album image #17 Album image #17](/albums/img/4/1/7/699417-10800-73-720.jpg)
White artist´s oil paint is excellent for painting or drybrushing wave effects.
Komentáře
2 22 January 2020, 12:43
Album info
This album describes how I make calmer seascapes for waterline models in display boxes.