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Frank Spahr
Frank Spahr
DE

Making waves 2

Album image #1
This is how I work with a flat base, as in a display box. The model will be mounted to it by screws, for which I drill holes into the base.  
 

Album image #2
The base is made very early on, before any detail work has been done on the hull, hence no risk of damage.  
 

Album image #3
The shape of the hull is marked by spraying paint. 
 

Album image #4
Any wave effects standing proud of the base are sculpted using some spackle or putty - make sure all of your materials are compatible with each other! 
 

Album image #5
The bow wave has been sculpted, the spackle has cured. Always make sure any material has proper time for curing to avoid averse interactions! 
 

Album image #6
White wall paint is now stippled onto the base. With some practice, you can produce a number of effects from utterly still to moderately choppy. Do not use too much paint in one layer, or it will produce cracks. 
 

Album image #7
The paint needs some drying time before the next step. 
 

Album image #8
I use water-based acrylics from my airbrush exclusively. Check references for the appropriate hue of the sea. 
 

Album image #9
Only after the previous steps have fully cured, solvent-based clear gloss can be used to achieve the proper sheen and reflections of the base. If you do this too early, water will evaporate and form unsightly bubbles. Don´t ask me why I know. 
 

Album image #10
This is a very still sea, probably on a cruise in the Mediterranean. The clear gloss remains sticky for much longer than you would believe. Do not mount the model to the base for longer than a test before you are convinced it can stay. Again, don´t ask. 
 

Album image #11
With the vessel mounted on the base. Permanently. I do remember the case of the somersaulting Flower Class Corvette. In front of my modeling pals. On a tiled floor. 
 

Album image #12
Here is a livelier base. The sea shade was sprayed away from the hull surround, and the white was touched up afterwards where needed. 
 

Album image #13
Here with the completed models. 
 

Album image #14
Another still sea. The boats were placed into depressions ground out of the base with a rotating tool. 
 

Album image #15
I use acrylic gel to close any remaining gaps after mounting the model to the base. 
 

Album image #16
Spatulas for artists work great. 
 

Album image #17
White artist´s oil paint is excellent for painting or drybrushing wave effects. 
 

Komentáře

2 22 January 2020, 12:43
Holger Kranich
😄
22 January 2020, 13:12
Łukasz Gliński
I see there are more parts of this lovely tutorial 👍
22 January 2020, 14:12
Patrick Hagelstein
Thanks for this detailed explanation Frank! 👍
22 January 2020, 15:11

Album info

This album describes how I make calmer seascapes for waterline models in display boxes.

49 obrázky
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